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LXXVI



Why is my verse so barren of new pride,

So far from variation or quick change?

Why with the time do I not glance aside

To new-found methods, and to compounds strange?

Why write I still all one, ever the same,

And keep invention in a noted weed,

That every word doth almost tell my name,

Showing their birth, and where they did proceed?

O! know sweet love I always write of you,

And you and love are still my argument;

So all my best is dressing old words new,

Spending again what is already spent:

  For as the sun is daily new and old,

  So is my love still telling what is told.

 	--William Shakespeare

LXXIX



Whilst I alone did call upon thy aid,

My verse alone had all thy gentle grace;

But now my gracious numbers are decay\'d,

And my sick Muse doth give an other place.

I grant, sweet love, thy lovely argument

Deserves the travail of a worthier pen;

Yet what of thee thy poet doth invent

He robs thee of, and pays it thee again.

He lends thee virtue, and he stole that word

From thy behaviour; beauty doth he give,

And found it in thy cheek: he can afford

No praise to thee, but what in thee doth live. 

  Then thank him not for that which he doth say,

  Since what he owes thee, thou thyself dost pay.

 	--William Shakespeare

CXXXII



Thine eyes I love, and they, as pitying me,

Knowing thy heart torment me with disdain,

Have put on black and loving mourners be,

Looking with pretty ruth upon my pain.

And truly not the morning sun of heaven 

Better becomes the grey cheeks of the east,

Nor that full star that ushers in the even,

Doth half that glory to the sober west,

As those two mourning eyes become thy face:

O! let it then as well beseem thy heart

To mourn for me since mourning doth thee grace,

And suit thy pity like in every part.

  Then will I swear beauty herself is black,

  And all they foul that thy complexion lack.

 	--William Shakespeare